布尔迪厄习性理论的审美人类学维度

The Aesthetic and Anthropological Significance of Habitus in Bourdieu's Theory

我国学界对于布尔迪厄理论的重视和接受,多集中在他的资本、权力和场域等相关概念,对于他理论体系中的另一个核心命题——习性(habitus,又译作"惯习")的探讨和阐释则相对不多。作为布尔迪厄社会批判理论的重要环节,习性有着丰富的含义和鲜明的美学及人类学指向。从审美人类学的视角出发,在文本梳理和批判反思相结合的基础上,进一步思考习性理论的审美人类学维度。

Our acceptance and attention about the theory of Bourdieu mostly focus on the related concepts of capital, power and field, but paying not enough attention to another important concept of his so - called ＂the habitus＂. Actually, habitus as an important link in Bourdieu＇s theory of social criticism has very rich meaning and distinct orientation in aesthetics and anthropology. From the aesthetic per- spective of anthropology, and on the basis of combination of sorting and critical reflection in this paper, the aesthetic anthropological dimension of theory of habitus is further thought about.