论《过云庐画论》的画学观

On the Painting Concept of Guo Yun Lu's Painting Theory

《过云庐画论》为范玑画论代表作。论理不论体,理明而体从之;先整笔工细,次纵笔写意;画以养性,非以求名利等为范玑画论的核心,这些构成了范玑的画本论、画笔论和审美创作、鉴赏论三大部分。其中,对虚实、临摹与模仿、文画关系等都提出了个人新见,这些都丰富了古代画论内容。

Guo Yun Lu＇s Painting Theory is the representative of Fan Ji＇ s painting theory. Its core includes preferring reasoning to style; putting the lump - sum fine work at the first place, and freehand painting at the second; painting for cultivating disposition but not for fame and benefit, constituting the three main components of Fan Ji＇s painting theory, among which appear his personal views on the relation between virtual and actual situation, copying and imitation, text and painting, thus enriching the contents of ancient painting theory.