摘要
从戴克里先宫转变为一个城市,斯普利特在罗马宫殿基础上发生了一系列空间演变,从宫殿建筑上生长出城市的肌理,宫殿提供了城市结构,同时城市的扩张也因循了宫殿的轨迹,宫殿的历史在参与城市演变中不断获得新的意义。它体现了城市与建筑的同一性,城市确定的形式容纳了功能的变迁。对于历史城市与建筑保护来说,这种依据"作品意图"的演变方式是一种让主体消失的客体策略。
Growing up in the Diocletian palace, Split represented the spacial transformation from the palace to the city. The urban texture formed according to the architecture, the urban structure derived from the trace of the palace, the history of palace gained new significations in involving in the urban evolvement. It shows the identity of architecture and the city, where the great adaptability to different functions exists in the precision of forms. On the preservation of historical relics, the evolvement according to the oeuvre intention is a objective strategy which leads to disappearance of subject.
出处
《建筑师》
2010年第1期53-59,共7页
The Architect
