摘要
论文从非线性结构、叙述人称、叙述的自我反思等角度对卡尔维诺小说叙事艺术进行研究。非线性叙事模式表现为文本中情节与时间的无序,人物和情节的有意淡化;富有创造性的叙述人称丰富了故事的表现力,而元叙事策略挑战了故事的可靠性与真实性,颠覆了传统小说艺术原有的模式和规范,向人们展示小说的虚幻性。从注重作品的内容及意义到注重作品的叙事结构,是叙事观念的深刻变化,而后现代语境中多元化、不确定性思想则是这种独特观念的形成原因。
The essay illustrates the narrative art of Calvino' s novels from the non-linear structure, narrative person, and the self-reflection. Non-linear narrative mode is the disorder of the plot and time, and reduction of intervention of characters and plot; unique narrative person enriches the story; the meta-narrative strategy challenges the reliability and authenticity of the story, subverts the traditional art of the original novel models and norms, and demonstrates the illusory nature of the novel. The focus on the content and meaning turning to a focus on narrative structure is the profound change of the narrative concept, and pluralism and ideological uncertainty under the postmodern context are the reasons for the formation of this unique concept.
出处
《中北大学学报(社会科学版)》
2010年第1期11-16,共6页
Journal of North University of China:Social Science Edition
基金
2009年江西省高校人文社科项目"20世纪西方文学中的不可靠叙述研究"(WGW0903)
江西师范大学博士启动基金项目(2487)
关键词
后现代语境
非线性结构
叙述人称
元叙事策略
叙事观念
the postmodern context
nonlinear structure
narrative person
meta-narrative strategy
narrative notion