反理论主义的“艺术色情学”

On erotics of art of Susan sontag

"艺术色情学"强调艺术的形式和对艺术的感受力,是向人们逐渐散失的艺术感受力的厉声呼唤。艺术色情学与追求"审美解放"的马尔库塞的爱欲主张有相通之处。爱欲作为一种生命力基础,有着与审美共同的最终诉求:自由。美学理论与批评实践有意无意地被理论主义所笼罩,强调艺术感受力与艺术形式的"艺术色情学"是对其的纠枉,它强调"身心"合一,主张艺术向"身体-主体"回归。

The erotics of art emphasizes the form and therefore sensibility, it＇s a loud shout to the ear of sensibility. There are some likeness between erotics of art and aesthetieal liberation of Eros of H. Mar- cuse. As a base of life, eros finally walks to an end with aesthetics, that$ freedom. Susan sontag claimed that the eroties of art from against interpretation is intersubjectivity and indivisibility of body and mind. The base of eroties is eros which is fundamentality life. With the eros, art goes to freedom finally. Uudoubtedly, this proposition of Susan is instructive to the criticism and theory of art in China for that the e- rotic of art means form and sensibility of art.