摘要
透过阐释学的视角,《驿站长》中源于《圣经》典故"浪子回头"的宗教图式与杜妮亚的人生轨迹有着结构上的同构,却在质性上指涉不同的意向。杜妮亚居于现代意义上的自觉人生选择与典故所隐喻的宗教伦理精神相悖而行,从而暗示俄国传统道德法则的失效,并在更高的意义上对宗教伦理的现代性困境作了一个终末式的叙述:杜妮亚整个人生选择所预示的不仅是传统宗教伦理秩序面临的断裂,还是俄罗斯新女性代表的滥觞。
Through the perspective of hermeneutics, The Stage Agent in the Bible story from the "return of a prodigal son", Schemata and the religious life of Du Sonia have structural isomorphism, but the reference in terms of quality of different intention. Du Sonia's living in the modern sense of conscious life choices and the story of the metaphor that runs counter to the spirit of religious ethics and the line, thus implies that the Russian law of the failure of traditional morality and a higher sense of religious ethics and the plight of the modern made a terminal style narrative: Du Sonia's choice of her life foreshadows not only the split that the traditional order of religious ethics is faced with, but also the origin of the representative of new Russian women.
出处
《河北北方学院学报(社会科学版)》
2010年第1期20-23,共4页
Journal of Hebei North University:Social Science Edition
关键词
普希金
《驿站长》
浪子
异质同构
宗教伦理
终末叙事
新女性
Pushkin
The Stage Agent
prodigal son
heterogeneous isomorphism
religious ethics
terminal narrative-new woman