论“原生型”胶州大秧歌“乞讨”说

Research on The Begging Perspective "Primeval" JiaoZhou Yang-ge

"原生型"胶州大秧歌源于"乞讨"的说法违反了恩格斯的《自然辩证法》所论述艺术发展的规律。艺术作品是艺术家或民间艺人的产品,在社会分工按照历史的必然性仍然存在的社会发展阶段,作为精神生产的一个特殊的艺术创作,需要具备特殊的条件,掌握特殊的手段。"原生型"胶州大秧歌就是集音乐、舞蹈、戏剧为一体的综合性的艺术形式。它赋予了广大胶州人民以无限的节庆娱乐与欢快,虽然也赋予"乞讨"者维持生计的技能,但"乞讨"不是它的来源。

Where and when did the story start and who were in？ This story is against the law of art development stated in Natural Dialectics by Engels. Works of art are the products of artists and folk actors. In a stage when social division of labor still exists because of historic inevitability, special conditions and means are needed for art creativi- ty, which is a special form of cultural production. Changes of concepts reflects changes of real life. The division between art and technique reflects the differentiation between art production and material production. Art creativity is a greatly complicated mental activity. The Primeval JiaoZhou Yang - ge is a combined art form of music, dance and comedy, is dance without musical accompaniment, and is a silent music itself.