爱的“中间物”:重读《魔祟》

A "Medium" of Love: Rereading of Mo Sui

《魔祟》作为许广平逝世后才发表的作品,有其独特价值。其身份的模糊性让它具有了文本的开放性,对它解读可以众声喧哗、多元并存。但将一个极具虚构元素的现代独幕剧坐实为许鲁二人初次性爱的记录,而将发生时间、地点煞有介事的具体化,无疑是偏执的、褊狭的。本文认为,《魔祟》呈现出爱与责的纠结,表达/再现了许广平对鲁迅的思念/纪念,它更是一个极具象征意义的剧本,是许鲁二人爱的"中间物"。

Mo Sui is a one - act play by Xu Guangping published posthumously, which has special value. Its vague identity makes it an open text attracting many roaring and diversified interpretations. However, substantiating such a modern one -act play which has quite some fictitious elements to a real recording of the first romance between Xu and Lu Xun even with detailes of place and time, is obviously bigoted and eisegetical. This paper considers the entangling love and responsibility in Mo Sui as an expression or representation of Xu Guangping＇s yearning or memorial of Lu Xun, a play with extremely symbolic significance, which can be taken as a ＂medium＂ of love between the author and Lu Xun.