摘要
Verschueren的顺应论为文学语言结构的鉴赏提供了一个全新的视角。但前人在这方面的应用较少。以顺应论为基础,从语言使用者角色更替、心理世界、社交世界及物理世界顺应性四个方面详尽分析《这一夜,Women说相声》的语言幽默性,试图找出触发其语言幽默性的语境顺应因素,探究舞台相声剧幽默性的语境顺应构建机制,进一步说明顺应论在文学语言鉴赏中的巨大解释力。
Verschueren's Adaptation Theory provides us with a new perspective of interpreting and appreciating literary language, which is less applied previously. Based on Adaptation Theory, this paper explores the sense of humor of the crosstalk Play Tonight, women perform crosstalk from the view of the language users' adaptation resulted from changing in role, mental world, social world and physical world. It aims finding the contextual adaptive humor - building mechanism of crosstalk play and further manifests the explanatory power of Adaptation Theory in the interpretation of literature language.
出处
《河南理工大学学报(社会科学版)》
2009年第4期691-695,共5页
Journal of Henan Polytechnic University:Social Sciences
关键词
幽默性构建
顺应论
角色更替
心理世界
社交世界
humor - building
Adaptation Theory
role - changing
mental world
social world