对贝克特文学风格的文体学研究——语域与贝克特的“无风格”写作

A Stylistic Study of Samuel Beckett's Literary Style:Register and Beckett's Unstyle

语域是我们对贝克特文学风格进行文体学研究的一个有力的工具。"中年危机"之后贝克特实现了彻底的风格转向,试图以双语独白的形式追求"无风格"写作,不遗余力地表现内心景观。语域分析表明,贝克特堪称试图"无语域"地写作的典范,而这一风格转变源于他对自己所使用媒介的态度的根本变化。凭借语域这个工具,我们可以阐释"三部曲"中的不安感、分离感和"失败"感以及关于意义和"混乱"的问题。

Register is a forceful tool for us to apply stylistics to Beckett＇s literary style. After his ＂middle-aged crisis＂, the turn in his stylistic program was effected by way of trying to write without style and represent the landscape of mind in the form of bilingual monologue. The analysis of register demonstrates that Beckett can be considered as a writer trying to write ＂without register＂, and that this change in style fed on the fundamental shift in his attitude to his medium. With the device of register we can interpret his sense of discomfort, detachment and ＂failure＂ in the trilogy as well as the issues of meaning and ＂chaos＂.