杜甫秦蜀和湖南纪行诗比较论

A Comparison Between Du Fu’s Travelling Poems of Qinshu and Hunan

秦蜀和湖南是杜甫纪行诗创作比较集中和突出的阶段。在审美客体方面,秦蜀纪行诗表现了奇伟幽奥的景象,湖南纪行诗表现了阔远黯淡的景象。在审美主体方面,忧世之悲和漂泊之感贯穿了这两个阶段,但相比之下,秦蜀纪行诗中包含了一定的自信和乐观,湖南纪行诗则常常流露出某种近乎绝望的情绪。在心物关系方面,秦蜀纪行诗中自然与人强烈地对立,对人形成压迫和威胁,湖南纪行诗中自然是人的外在的衬托。在艺术传达方面,秦蜀纪行诗景先情后,由景生情,写景时以实写为主,虚写为辅。湖南纪行诗情在景中,以情统景,在写景时遗貌取神,随意点染。

Qinshu and Hunan is a focused stage of Du Fu＇s travelling poems. On the aesthetic object, the scenery of Qinshu travelling poems is enormous and unique, the scenery of Hunan travelling poems is broad and lack of light. On the aesthetic subject, the son＇ow about the country and sense of wandering through these two stages, but in contrast, the travelling poems of Qinshu includes a certain amount of confidence and optimism, the poems of Hunan often revealed some desperate mood. On the relationship between mind and matter, in the Qinshu travelling poems natural strongly opposed human, in the Hunan travelling poems the nature served as a foil externally. On the aesthetic expression, in the Qinshu travelling poems, the emotion is after the scenery, and the poems is mainly of straight description. In the Hunan travelling poems, the emotion is in the scenery, and the description is as he likes.