摘要
老子主张"致虚""守静",取法自然,强调自然无为。受老子思想的影响,中国美学认为整个审美缘在构成过程是内缘己心,外参群意,随大化氤氲流转,与宇宙生命息息相通,随着心中物、物中心的相互交织,最终趋于天地古今群体自我一体贯融,一脉相通,以实现心源与造化的大融合。故而中国美学强调"目击道存",要求审美者走进自然山水之中,以自然万物为撞击自己心灵、激发审美创作欲望和冲动的重要契机,为产生灵感兴会的渊薮,去心游目想,寓目入咏,即事兴怀。
Laozi holds achieving emptiness ,keeping the quiet, following the nature, and emphasizes natural inaction. Impacted by Laozi's idea, Chinese aesthetics holds the constitution process of whole aesthetics is going along own heart inside, consulting public will outside, passing along with the world, closely linking to universe, along with the intermingling of matter in heart and heart in matter, finally trends to the integration of heaven, earth, ancientry, modern, group, individual, so as to realize the deep integration of heart and fortune. Therefore, Chinese aesthetics emphasizes Tao exists in the area eyes look at, requests appreciator walking into natural landscape, taking nature as important chance to impact own soul, stimulate creation desire and impulsion ,produce inspiration.
出处
《沈阳工程学院学报(社会科学版)》
2010年第1期1-7,共7页
Journal of Shenyang Institute of Engineering:Social Science
关键词
道法自然
自然无为
内缘己心
外参群意
目击道存
Tao follows the nature
natural inaction
along own heart inside
consult public will outside
Tao exists in the area eyes look at