叙事的突围与界限——卡尔维诺《寒冬夜行人》的文本理论解读

A Breakthrough and Limit of Narration——On Text Theory of Calvino's A Traveler on a Winter Night

卡尔维诺的《寒冬夜行人》消解了作者中心与文本中心,打破了虚构域与现实域的界限,将处于历时状态的行动素置于共时层面,最终颠覆了现代小说的成规。这一叙事实践与罗兰.巴特、德里达等的解构策略之间构成了某种互文关系,而读者却也不难从中发现诸多不可被消解的踪迹与界限。卡尔维诺正是在突围与界限的张力中拓展了小说这一文类在后现代主义语境下的叙事潜能。

Calvion＇s A Traveler on a Winter Night deconstructs author center and text center, breaks the boundary of fictitious domain and real domain, puts actant being in diachronic layer under synchrinic layer, and subversts etiqutte at last. Although the narrative practice constitutes a intertextual relationship with Roland Barthes and Jacques Derrida＇s deconstructing strategies, it isn＇t difficult for readers to find traces and limits in the novel,which can ＇t be completely eliminated. It＇s under the tension between breakthrough and limit that Calvion expands the narrative potential of the genre of novel against the blackground of postmodemism.