摘要
“工农兵诗歌”创作是“十七年”文学的一个重要现象,《诗刊》(1957—1964)“工农兵诗歌”想象方式经历了“想象的工农兵”与“工农兵的想象”两个阶段,这两种想象方式使“工农兵”形象趋于“符号化”并最终走向“完型化”。透过诗人想象方式的前后变化以及符号化“工农兵”形象的价值化过程,人们能有效探察“十七年”革命现实主义文学思潮在具体文学创作中的显现方式,以及特定文学现象与时代文化语境之间的复杂关系。
Poems about "worker, peasant, and solder" is an important phenomenon of "17 year" literature. Based on the research of "Journal of Poetry"( 1957 -1964) the manner of the imagination of "worker, peasant, and solder" poetry covers two stages : imaginary worker, peasant,and solder and their imagination. The two ways make the image tend to be "sign" and finally to "perfect". From the changing manners of the poet's imagination, and the development of value,we can observe the realization of "17 years" of revolution realistic literature in writing, and the complicated relation between special literature and time cultural context.
出处
《哈尔滨学院学报》
2010年第2期62-69,共8页
Journal of Harbin University
基金
2008年福建省教育厅A类社会科学资助项目
项目编号:JA08202S
关键词
《诗刊》
“工农兵诗歌”
想象
符号
Journal of Poetry
worker, peasant, and solder poem
imagination
sign