摘要
艾衲居士构建了现实化的叙述交际场所——"豆棚",设置了多层级的故事叙述关系,叙事模式由以往的说书人独白型叙事转化为叙述者和接收者之间的对话型叙事。叙事模式的转变一方面有助于营造故事的"真实性";另一方面使得隐身于幕后的作者更有效地控制了故事的情节走向,垄断了对故事题旨的解读,从而强烈凸显了作者的叙事意图。
Buddhist Aina constructed a bean trellis as the realistic venue for narrative intercourse and designated multiple narrative relations in the work.He changed the narrator's monologue to a dialogue between narrator and receiver.The change in narrative mode helps to establish the authenticity of stories on one hand and facilitates the invisible author's control of the plot and manipulation of readers'interpretation of the stories so as to highlight the author's narrative intention.
出处
《江苏大学学报(社会科学版)》
北大核心
2010年第1期72-75,共4页
Journal of Jiangsu University(Social Science Edition)
关键词
叙述场所
对话型叙事
真实性
说理策略
narrative venue
dialogic narration
authenticity
arguing tactic