摘要
20世纪下半叶以来,艺术与非艺术的对立消失,艺术进入完全的多元主义时期。丹托断定当一切都成为艺术,艺术的本质丧失,艺术就已经终结。但是当人们的生活经验变成历史,并获得了与生活不同的时空或属性形式时,就历史地演变为艺术:艺术就是形式化了的历史;艺术与历史的界限只在于有无形式性,艺术不会终结。一个艺术哲学史家最终放弃了历史。
From the late 20th century, the opposition between art and non-art disappeared, and the art entered a period of pluralism. Arthur C. Danto concluded that the art had been ended as soon as everything became art while the essence of art disappeared. But when people's life experiences became history and obtained the space-time or property form different from the life, the life became the art. So the art is the formalized history; and the boundary of the art and history lies only in that both of them have or havent the form, and the art will never come to an end. An art philosophy eventually abandoned the history.
出处
《中国石油大学学报(社会科学版)》
2010年第1期86-89,共4页
Journal of China University of Petroleum (Edition of Social Sciences)