试论新时期女性剧作的荒诞叙事

On Absurd Narrative of Female Dramas in the New Period

本文梳理了新时期以来中国女性剧作荒诞性叙事的主题类型及表现形式,并进一步剖析了出现荒诞意识的深层原因。女性剧作围绕着两性爱情、历史传统以及现实人性展开多方面的思索;在表现形式上淡化西方荒诞剧的感伤悲情,扬弃其哲学基础的悲观颓废成分,形成了一种充满幽默、戏谑特色的荒诞喜剧模式;而这种荒诞意识无论从时间的延展上还是空间的层面,都属于某种思想整体性的折射,反映的是现代都市人精神整体的某种缺失。

This thesis summarizes the main subjects and forms of female drama during the new period, and analyzes the main rea- sons for the absurd consciousness in female dramas. It points out that female dramas majody focus on the rsubjects of love,tradition and humanity, and come to being a kind of absurd comedy stylistically.The absurd consciousness reflects the abscence of modem spirit in the present age.