华锺彦先生的《戏曲丛谭》及其他

HUA Zhongyan's《戏曲丛谭》and Others

作为国学基础著作,华锺彦先生的《戏曲丛谭》后出转精,贡献卓然。其首次提出"有唐一代,为中国戏曲变迁之重要关键"、"古今未色名同实异"等重要观点,并在"时剧"的探讨、歌舞与戏曲的关系、弹词与打连厢唱法、院本唱法遗迹"度曲八要"等方面均有独见。

As one of the works of sinology （studies of Chinese ancient civilization）, Hua Zhongyaff 《戏曲丛谭》（Traditional Chinese Operas in Discussion） is a successively proficient contributiion. The book, for the first time, proposes that the Tang Dynasty also was a crucial time in the history of Chinese traditional opera development and that past and present things may share names but are esstentially different. And there are original ideas concerning discussions on 时剧（shiju：season dramas）, 歌舞（gewu： singing dancing） and 戏曲 （xiqu： traditioanal operas） from the point of view of realtionship; and 弹词（tanci： a form of poetry） , 打连厢唱法（daliansciang： a singing）, and 院本唱法 （yuanben singing） heritages like 曲八要（eight esstentials for measure of qu, a type of verse for singing）, where there new views are found.