摘要
南朝乐府"吴声"中的部分曲调是由民谣经"被之管弦"发展而来的娱乐乐歌,同时还存在着多种音乐来源,不宜被简单地称之为"民歌"。作为娱乐乐歌,"吴声"的歌辞制作体现出模式化倾向,具体包括运用套式语,歌辞的仿制、借用等。"吴声"在进入上层社会和宫廷后,又接受了文人文学和宫廷文学的改造。
Wusheng had several music sources.Some folk songs became melody by means of deploying musi- cal instrument, so it could not been named folk song.As entertiment song,Wusheng＇s words had model ways. When Wusheng got into upper-class and impepial palace, in order to adapt to the interests of noblemen,it had elegant and gorgeous feature.
出处
《咸阳师范学院学报》
2010年第1期91-95,共5页
Journal of Xianyang Normal University
基金
国家社科基金项目(09CZW023)
湖南省教育厅科研基金项目(09C801)
吉首大学博士科研启动基金项目(jsdxkyzz200802)
关键词
吴声
民谣
乐歌
模式化
Wusheng
folk song
song
model
