摘要
《秦腔》中始终存在着显性和隐性两个叙述者,显性叙述者是疯子引生,他的功能是描述清风街泼烦无聊的日常琐事;隐性叙述者起到补充叙述的功能,完成发生在清风街的重大事件的叙述,从而弥补由于疯癫叙事而造成的主题肤浅荒诞。小说通过缺乏典型性格的人物群像展现了一个凝缩的、典型的、特定时期的农村图景,以此承载作者对中国农村转型期存在状态的深度思考。
Qin Opera is always dominant and recessive two narrators,the narrator is a madman dominant Yin-sheng, and his function is to describe the Tsing Fung Street poured bored silly things in everyday life; hidden complement the narrator describes the function of, and the story ends with the completion of a major event took place in the narrative Tsing Fung Street,which make up the theme of madness caused by superficial narrative ab- surdity.It is through the lack of the typical character of the novel the characters displayed a condensed group por- trait, and the typical, specific period of rural picture, thus bearing the author's state of existence in rural China in transition, the depth of thought.
出处
《咸阳师范学院学报》
2010年第1期96-98,共3页
Journal of Xianyang Normal University
基金
咸阳师范学院科研基金项目(04XSYK213)
关键词
《秦腔》
叙述者
叙述视角
人物群像
Qin Opera
narrator
narrative perspective
people group portrait