摘要
南齐谢赫首次提出了"六法"论,成为中国美术史上影响最深远的美学理论之一,但"六法"并非是"万古不移"的。随着时代的发展和绘画艺术的发展、演变,其具体含义也发生了量或质的变化,"六法间"的相互关系也相应发生了显著的变化。中国画的发展、演变和成熟的过程,也就是"六法"的发展、演变和成熟的过程,二者是同步进行的。
Xie He, Southern Qi Dynasty, brought forward"Six Creating Methods of Art" for the first time, which is also one of the most impressive theories in the Chinese fine arts history. However, the theory is not eternal and unchangeable. With the development of the time and the evolvement of painting arts, the concrete contents of the theory has changed in both quantity and quality as well as their relationship. The process of development, evolvement and mature of Chinese painting is just the same one of "Six Creating Methods of Art", and they are synchronous.
出处
《山西大同大学学报(社会科学版)》
2010年第1期106-108,共3页
Journal of Shanxi Datong University(Social Science Edition)
基金
山西大同大学青年科学研究课题"谢赫六法论研究"
项目编号:2007Q06
关键词
谢赫
六法
含义
关系
变化
Xie He
Six Creating Methods of Art
implication
relationship
change