人世礼乐风景的缔造者:士与民——小议胡兰成对中国文学作者的诠释

Founders of Riual-Music Phenomena:The Intelligentsia and Civilian A Brief Analysis for Hu Lan-cheng′s Interpretation of Chinese Literary Authors

被王德威先生评为"有别于‘感时忧国’的文学正统"的胡兰成于五四之后形成了对于"中国文学的作者"独到的诠释。他将中国文学作者划分为士与民两类,并分别论述士与民的文学及文学精神。将士的文学精神概括为"礼乐文章的自觉",把民的文学精神刻画为"好玩"与"喜反"。同时,胡兰成对士与民的文学之关系进行了全新的阐释,发现了民的文学与士的文学兴盛期交替出现,阐释了士与民的文学之间教化与被教化的关系。同时将士与民一同安放在中国千百年来深邃而现实的人世礼乐风景里,认为他们同是人世礼乐风景的缔造者。

Hu Lan-cheng, the man whose articles was described as ＂different from the literary ortho- doxy＂ by Mr Wang De-wei raised an unique interpretation about Chinese literary authors after May 4th Movement. In Hu＇s interpretation, he divided Chinese literary authors into intelligentsia and civilian, then elaborated the literature and literary spirit of these two kinds of authors ： intelli＇gentsia＇s literature was described as ＂consciousness for creating ritual - musical article＂, civilian＇s literature was charac- ted as ＂prefer amusement＂ and ＂fund of rebel＂ vividly. At the same time, he posted a new explana- tion for the relationship between intelligentsia and civilian. Based on the explanation, he found the prosper stage of intelligentsia and civilian＇ s literature was alternately, explained that the intelligentsia＇ s literature influenced the civilian＇ s literature deeply, and explained the relationship of educating and to be educated between them. Above all, he put either intelligentsia or civilian into the vision of rites and music, and considered both of them were the builder of the ritual-music landscape.