摘要
"本色"与"骚雅",是宋人关于词体审美的一对重要形态。北宋人讲究词的"本色",南宋人强调词要"骚雅"。这既是时代风气使然,又是宋词发展的必然趋势和结果。二者相辅相成,互为补充,相得益彰。它既反映出中国文学审美内涵的丰富性和审美品味的多样性,又反映出中国文化传统流变与承传的恒定性。
"Nature" and "grace" are a pair of important aesthetic shapes of Song Ci. In Bei Song Dynasty, people paid attention to "nature" of Song Ci, and stressed "grace" of Song Ci in Nan Song Dynasty. This is the result of atmosphere at that time, and also is an inevitable developing trend of Song Ci. The two are complementary and can be replenished each other perfectly. It not only refleets the richness of aesthetic connotation and the diversity of aesthetic taste of Chinese literature, but also reflects the constancy of rheology and heritage of Chinese cultural tradition.
出处
《湖南师范大学社会科学学报》
CSSCI
北大核心
2010年第2期102-106,共5页
Journal of Social Science of Hunan Normal University
基金
广西省软科学研究计划"临桂词派及粤西词人群体研究"(05111003)