摘要
闻一多把"幻象"视为新诗的内在质素,闻一多谈"幻象"常常用意象来表述,其创作的意象大致存在两个有机联系的系列,即"红烛"系列和"死水"系列,体现着不同的审美特征。闻一多新诗形象所构建的幻象,包含着观念的具象、描叙的事象、诗人的心象、自然的景象和戏剧的场景等。闻一多新诗的幻象创造提升了中国现代新诗的艺术水平,推动新诗进入新的建设时期。
Wen Yiduo regarded "mental vision" as the intrinsic part pf New Poetry, and he often used images to represent "mental vision" in his two interconnected groups: "red candle" and "dead water", which stand for differ- ent aesthetic features. His creation of mental vision in New Poetry includes the vision of concepts, the vision of nar- ration, the inner vision of the poet, the vision of nature and the vision of dramatic scene. The creation of mental vi- sion in his New Poetry has improved the Chinese Modern New Poetry and helped it enter a totally new stage of development.
出处
《常熟理工学院学报》
2010年第1期72-80,共9页
Journal of Changshu Institute of Technology
关键词
闻一多
新诗
幻象
Wen Yiduo
New Poetry
mental vision