摘要
在新石器时代末期,东南地区各文化共同体发展互动,良渚文化族群向西南扩展,到好川建立聚落并与当地土著文化结合,但它很快被好川文化借鉴吸收并融合成为自身文化的有机组成部分,创造出新颖独特,具有鲜明的地域特色的文化面貌。在好川出土的陶器中,既有直接受良渚文化影响出现的器物,也出现了既脱胎于良渚文化陶器原型又不同于原型的新型式,并形成自己的发展演化序列。通过两者的对比研究,对探索好川文化形成的过程,及其文化面貌和内涵特征,可以提供参考和帮助。
In the late Neolithic Age, there were many different cultural communities in the South East region, developing together and interacting with each other. Liangzhu culture expanded towards the southwest. When reached Haochuan, these people began to establish new tribe and combined their culture with the indigenous culture, but it was quickly absorbed by the Haochuan culture, which became one of its own integral part. So by this way a novel and unique culture was formed with distinctive regional culture. Of the potteries unearthed in Haochuan, some are directly influenced by Liangzhu culture, and some others are developed from it and have new styles. So a new culture was formed. The comparative study between the two cultures is helpful to explore the process of the formation of the Haochuan culture and to discover the cultural Intrinsic and extrinsic charactoristics .
出处
《中国陶瓷》
CAS
CSCD
北大核心
2010年第3期74-77,共4页
China Ceramics
关键词
好川
良渚
陶器
对比
Haochuan, Liangzhu, comparative study, pottery