摘要
沈从文的抒情话语在1940年代产生了某种新变。从《雪晴》中可以看出,"抒情"本身有了更丰富的层次,它不仅渗透进入叙事话语生发出某种复杂性,还成为一种更为宏阔的生命形式和历史观照方式。通过对其抒情话语转型的分析,我们可以细察现代主体在弥合外部世界和内心体验时所生成的图景,并探究沈从文在创作上超越抒情的努力及其可能的限度。
Some new features of lyricism grew out from Shen Congwen’s novels in 1940s. As a typical example, the lyricism of A Fine Day after Snow got more plentiful meanings than those of his novels before. The narrative course became more complicated and the life form entered a deeper and wider historical view. These changes not only showed the anxiety of mordentity he tried to integrate the exterior world with his subjective experience,but also proved Shen’s great efforts at exploring the limit of literary lyricism in 1940s.
出处
《北京科技大学学报(社会科学版)》
2009年第4期83-88,100,共7页
Journal of University of Science and Technology Beijing(Social Sciences Edition)
关键词
《雪晴》抒情话语
外部世界
内心体验
A Fine Day after Snow
lyricism
exterior world
inner world