摘要
能乐(Neng yue)是日本历史最悠久的传统舞台艺术,深得日本形式美学观念和东方玄学文化的精髓。拥有良好品牌效应的日本恐怖惊悚类型片向来呈现有别于西方的独特气质:恐怖与凄美共存,写实与虚幻相伴。本文以日本电影《怪谈》为例,通过对影像文本的细读,揭示古老的"能乐之魂"仍然内在于20世纪的日本电影文本中,并从传统戏剧内化于银幕影像、民族传统美学重生于当代大众艺术的角度探讨了这一范例对"亚洲电影"的启示。
Noh play is a traditional Japanese stage art of a long history,which is rooted in Japanese stylistic aesthetics and oriental transcendentalism. Japanese thrillers demonstrate to the west their unique characteristics：coexistence of horror and sad beauty,truth and false. The essay cites Japanese Kwaidan as an example to show that ancient spirit of Noh play is still alive in the film script of 20 th Century Japanese films,and its revelation to ＂Asian films＂ from the perspective of its being transformed into the images of films and the rebirth of traditional ethnic aesthetics in modern popular arts.
出处
《外语教学》
CSSCI
北大核心
2010年第2期74-77,100,共5页
Foreign Language Education
基金
项目名称:北京市教委优秀博士论文指导教师资助项目(项目编号:YB20081003201)阶段性成果(博士课程指导教授:北京语言大学比较文学研究所王宁教授)
关键词
能乐
怪谈
日本形式美学
亚洲电影
Noh play
Kwaidan
Japanese stylistic aesthetics
Asian films
