从自然之景到心象之境——我对山水画创作的认识

View of Landscape Painting Creation:From Natural Scenery to Mental Imagery

中国山水画创作不是简单地图解自然和时代,必须遵循艺术法则、运用艺术手法把画家对自然、时代等的感受、思考和迁想妙得,融汇在具体的艺术形象中,使生动气韵鼓荡于其间,真正表现出感人的力量。因此,应自觉向传统艺术回归,自觉关注生活,同时汲取"南顿"与"北渐"精髓,打破地域局限,融合南北精神,完成从自然之景到心象之境的升华。

Chinese landscape painting is not a simple illustration of temporal the writer＇s feeling, meditation and insight of nature and life on the artistic and cultural spirit. It artistically reveals principle. It is mingled in a variety of impressive images full of life and emotion. Therefore, the paper promotes a conscious revival of traditional art, a serious concern of the life and a unity of the artistic styles of the South and North China by assimilating the essence of immediate intuition （Nandun） and gradual enlightenment （Beijian） of Chinese Buddhism beyond territories for the purpose of a spiritual fulfillment.