蒙太奇手法与元散曲《天净沙》中的秋景描写

Montage Techniques and the Description of Autumn in Tianjingsha,a Non-dramatic Song in the Yuan Dynasty

在元代散曲作品中,有几组描写春夏秋冬四季景象的《越调.天净沙》小令,其中描写秋天景色的几支曲子虽体裁相同,题材一样,但风格迥异。文学艺术与现代影视艺术有很多相通之处,元人对意象的排列组合艺术与现代影视蒙太奇手段颇为相似,几只描写秋天景色的《越调.天净沙》小令之所以呈现出不同的意境和风格,正是得益于这种类似蒙太奇的表现手法。

In the non - dramatic songs of the Yuan Dynasty, there are several ditties that describe the scenes of spring, summer, autumn and winter, such as Tianjingsha. Although some of them have the same theme descri- bing the autumn scenery, their styles are quite different. The reason is that their images and the combinations of images have considerable influence on their moods and styles. Therefore, in the different combinations, although the autumn scenery is described in Tianjingsha by different writers, Ma Zhiyuan＇ s Tianjingsha is bleak and desolate, Bai PU＇ s Tianjingsha bright and refreshing, Wu Siyi＇ s Tianjingsha elegant and warm, and Wu Mingshi＇ s Tianjingsha mild and soft. There are many similarities between literary arts and modem visual arts. The poets＇ image combinations of the Yuan Dynasty are very similar to the modern film montage means. The different moods and styles appearing in several ditties that describe the autumn scenery just are benefited from the artistic approach such as montage.