放逐“女性”的女性电影——20世纪80年代以来中国女性电影解读

Exiled "Female" of the Female Movie——Discussion on the Chinese Female Films from the Twentieth Century,Eighties

20世纪80年代,第一批女导演的出现使中国的银幕上出现了女性微弱的声音。但几千年传统文化的发展造成男权文化的过于凝滞,后现代对主体性的消解和愈演愈烈的消费文化更使女性电影的发展遭遇一系列困境,具体表现为以下几个方面:逻辑混乱的情节设置;回归传统的人物塑造;模糊不清的叙事视角。在这种迷途中创作的女性电影,"女性"又一次成为被放逐的主角。女性电影的困境折射出女性生存的整个社会文化环境,要解决这些问题,最主要的是从根本上改变大众由来已久的男权思想,为女性电影的发展提供一个宽容的文化语境。

From the twentieth century, eighties ,there are some female voices directed by females on the Chinese screens although there are weak. However, this trend has meet some difficulties such as the Chinese society was overwhelmed male after thousand years, the decay on main subject from postmodernism, and stronger and stronger influence from the consumer culture as well. The difficulty can be shown from the following three aspects：the movie plot is not decided by the actor＇ s character and life logic, to meet the requirement from male - centered society, the female character in the movie returns to the traditional ethics, the narrative perspective is blur because the view from female is hidden from male one. The main solution to deal with these difficulties is that the traditional male - centered society should he changed a lot so that more tolerance should be made on female movies.