摘要
从诗歌本身来看,《九歌》是屈原在楚国民间祭歌的基础上加工、改写而成的一组祭祀乐歌,是屈原继承和发展南方民歌的艺术结晶。《九歌》同苗族古代民歌有着紧密的联系,苗族古代民歌及苗觋神辞就是《九歌》的一部分原型,《九歌》明显留有苗族古代民歌的痕迹并与苗族文化有着不可分割的关系。
Seen from the poem itself,"Nine Songs" is a set of sacrifice songs processed by Quyuan based on the folk sacrifice songs of Chu State and is a crystallization of which Qu Yuan inherited and developed the art of south folk song."Nine Songs" has close relation with the ancient folk song of Miao ethnic group.The ancient folk song of Miao ethnic group and words of God is a part of prototype of the "Nine Songs".There are obvious traces of ancient Miao folk songs in the "Nine Songs" and a indivisible relation with the culture of Miao ethnic group.
出处
《中央民族大学学报(哲学社会科学版)》
CSSCI
北大核心
2010年第1期102-107,共6页
Journal of Minzu University of China(Philosophy and Social Sciences Edition)
基金
国家社会科学基金艺术科学规划项目"湘鄂渝黔边区少数民族艺术研究"(批准号:05BA009)
关键词
《九歌》
屈原
苗族
民歌
"Nine Songs"
Qu Yuan
Miao people
folk song