即色、无心和澄怀味像——宗炳《画山水序》理论来源再议

Emptiness of Mood and Matter and Clarification of Mind to Taste of Image——Re-comment on Theoretical Source of ZONG Bing's "Landscape Painting Preamble"

宗炳的《画山水序》是中国绘画史上的重要著作,其产生受到了当时思想环境的影响,彻底摆脱了"助人伦、成教化"的传统绘画理想,转而从山水中寻求"道"的真谛,成为绘画史上"艺术自觉"转变的重要标志,并为中国山水画的发展奠定了思想基础。梳理其理论渊源,认为《画山水序》一文受儒释道三家影响均有,但其理论灵感激发则是当时玄风振畅的结果。

Forewords to Scenery Picture is an important work in the Chinese drawing history, whose accomplishment is influenced by the thought environment of that time. It completely freed from the influence of traditional drawing philosophy of ＂fostering human ethics and achieving enlightenment＂, seeking the true meaning of ＂Tao＂ from the scenery, which became an important symbol of the conscious transformation of art in drawing history and laid the ideological foundation for the development of Chinese landscape painting. Theoretically speaking, Forewords to Scenery Picture was influenced by Confucianism, Buddhism, and Taoism, hut it is mainly inspired by the popular metaphysics of that time