摘要
托妮·莫里森的代表作《宠儿》运用感性、物性的身体为叙事手段和叙事对象,使蓄奴制时代美国非裔尤其是非裔女性的历史际遇和现实体验得以由不可言说变得可以"言说",淋漓尽致地揭露了白人种族主义对黑人尤其是黑人女性主体的剥夺与压迫,同时展现了后者在特定历史条件下以身体为武器和战场展开的抗拒与颠覆;《宠儿》文本也得以借助身体叙事建构黑人女性写作的主体,消解西方理性传统和男性中心文化。
Employing the perceptual and material body as the narrative technique and object, the masterpiece of Toni Morrison Beloved turns the unspeakable painful historic and realistic experience of the AfroAmerican people, especially the Afro-American women, to be speakable, which reveals profoundly the white racists deprivation and oppression on the black and black women. Meanwhile, with body as a weapon and battlefield, the black defend the subject and overturn the white's oppression. By means of the body narratolody, the text Beloved succeeds in constructing the subject of the black women writing, and destructing the western rational tradition and the male-centered culture.
出处
《南京航空航天大学学报(社会科学版)》
2010年第1期62-66,共5页
Journal of Nanjing University of Aeronautics & Astronautics(Social Sciences)
关键词
身体
美国非裔
主体
黑人女性写作
身体叙事
body
Afro-American people
subject
Afro-American women writing
body narratology