摘要
钟敬文先生是以搜集歌谣和研究歌谣走上学术研究道路的,进入学界并引起重视主要是运用文艺观的视角研究歌谣,学界目前的认识仅限于此,对其文艺观视角在歌谣研究中的重要地位缺乏应有的认识。从钟先生歌谣研究的文本资料来看,在研究中他总是不自觉地受文艺观视角的影响,亦即习惯探讨歌谣的分枝、音韵、修辞、题材等方面,这种研究视角几乎贯穿其一生,成果丰硕。
Mr.Zhong Jingwen steped onto the path of academic study by collecting and studying ballads,he went into the academic and was paid great attention mainly for his study using the Perspective of Literary Concept which has been the only understanding of the current academic so far.A proper understanding of the importance of Mr.Zhong's perspective of Literary Concept in ballads studies has been ignored.Seen from Mr.Zhong's ballads studies,he was always affected unconsciously by the Perspective of Literary Concept which focused on the ballad branches,sound,rhetoric,theme,etc.This research perspective was almost throughout his study in his lifetime with fruitful achievement.
出处
《大连大学学报》
2010年第2期45-51,共7页
Journal of Dalian University
关键词
钟敬文
歌谣研究
文本资料
文艺观
视角
Zhong Jingwen
ballads studies
text material
literary concept
perspective