摘要
文章旨在讨论中唐以来石头作为独立的艺术欣赏对象出现的风气之变,试图通过阐述中唐社会文化发展之变化,文化和艺术的互动影响,阐释石头作为中国文人的独特审美类型,在盛唐时期兼收并蓄、博大蕴深的新的审美观达到圆熟境界时,品评石头出现具象与抽象共赏的审美原则以及赏石与人格的对象化的新风尚。
This essay is intended to discuss the change of custom since the Mid-Tang Dynasty when rocks came to be an independent object of artistic appreciation,explain the rock appreciation as a special type of aesthetic activity among Chinese scholars by describing the social and cultural change and development in the Mid-Tang Dynasty and the interaction between culture and arts,and how the custom of rock appreciation took prevalence on the principle of dual appreciation of the abstract and the concrete and projecting the rock appreciation onto personality,under the influence of the new aesthetic view of the High-Tang era,which had matured by adopting a liberal policy and a new and tolerable aesthetic view.
出处
《艺术百家》
CSSCI
北大核心
2010年第2期67-70,共4页
Hundred Schools In Arts
基金
国家"211工程"三期"艺术学理论创新与应用研究"项目阶段性成果之一