摘要
方妙英的民族音乐理论建树主要体现在教材编写、楚歌研究和民歌音乐思维研究等三个方面。她对楚歌的研究深切入微、环环相扣,并将它的结构模式上升到"音乐思维"的高度加以系统性提取,代表了她那个时代——所谓的"民间音乐研究"或"民族音乐理论"时代对于音乐本体研究的一个令人瞩目的成就。
FANG Miao-ying＇s achievements in folk music theories are mainly in the three aspects of textbook compiling,Chuge study and musical thought study of folk songs. Her study on Chuge is deep and coherent,systematically taking its constructive mode by lifting it to the level of ＂musical thought＂. It represents a significant accomplishment in the ontological study of music of the time when she lived-the so-called time of ＂folk music study＂ or ＂folk music theories＂.
出处
《艺术百家》
CSSCI
北大核心
2010年第2期118-122,共5页
Hundred Schools In Arts
基金
2009年度国家社会科学基金艺术学国家一般项目"民间音乐的‘游移’结构原则研究"(项目编号:09BD033)阶段性成果之一
关键词
音乐理论
教材编写
方妙英
楚歌研究
民歌音乐思维
音乐本体研究
music theory
text compiling
Chuge study
musical thought study of folk songs
ontological study of music
