摘要
新疆龟兹佛教壁画艺术中有不少表现金翅鸟的图像,与古印度早期神话以及佛经中关于金翅鸟与蛇的故事相对应,表达佛学广博深邃内涵中某种特定的意义。本文探讨龟兹佛教壁画中双头鹰形金翅鸟图像的源流,由此图像所涉及的古代游牧民族迁徙,以及文化传统的承继、传播等问题。
There are many pictures on golden-wing bird in Xinjiang Qiuci Buddhism Grotto,which are corresponding with ancient Indian mythology and story about golden-wing bird and snake in Buddhist scripture.It has some specific meaning on Buddhist philosophy.This article discusses the origion about golden-wine bird Picture with double-head eagle and the move of ancient vagaran,inheritance and spread of traditional culture in this picture.
出处
《新疆艺术学院学报》
2010年第1期21-25,共5页
Journal of Xinjiang Arts University
关键词
金翅鸟
图像
源流探讨
佛教文化
文化传统
Golden-wing bird
Picture
Discussion on origin
Buddhism culture