摘要
北宋文人画在理论上强调画要有诗的韵味和格调,诗也应该有画的视觉效果,并以此把文人画与其它画相区别。特别是以苏轼为代表的诗画同一性的观点影响画坛深远,成为我国文人画的主要特征之一。
With the intellectual active participation, paintings in the Northern Song Dynasty had begun to be developed. Literati paintings have been different from the other paintings, because it theoretically emphasized that paintings need the poetic charm and style, and poems also need painting's visual effects. The concept of the poems and paintings similarity have a far-reaching impact in painting circle, and have became one of the important characteristics of literati paintings, particularly with strongly promoted by Su Shi.
出处
《重庆教育学院学报》
2010年第2期120-122,共3页
Journal of Chongqing College of Education
关键词
宋代
文人画
诗中有画
画中有诗
Song Dynasty
literati paintings
a poem replete with graphic description
a painting full of poetic grace