文体记忆与文化记忆的协奏——梁修《花埭百花诗》用典艺术初探

The Memory Concerto for Genre and Culture:A Study of the Art of Applying Allusion in Liang Xiu's Poems about the Blossom Dyke

梁修所撰《花埭杂咏百首并序》(又称《花埭百花诗》)在沿袭典象、套用成说、点缀语典等三个方面体现自己的写作姿态,采取了铺叙典故、运用典故进行比较以及延伸艺术想象等艺术手法。在审美态度上,作者有意无意淡化文化记忆的政治倾向,重新调整花卉评价的审美价值判断标准与情感取向,追求一种整体上的轻松感和诙谐感。

Poems about the Blossom Dyke（also called Poems of One Hundred Flowers of the Blossom Dyke）,composed by Liang Xiu in the Blossom Dyke of Renxiang Garden of Guangzhou in 1885,was specially written for the festival of lanterns.In this volume,Liang Xiu depicted about one hundred kinds of flowers.However,he did not rest on delineating the appearance but the inside spirit of blossom,with the methods of using well-known ancient tales and historical affairs or telling his own ambition in the poems,so as to describe the sweet shape of flowers or satirize the ways of the world or comment on history by means of flowers or record the customs,etc.,which filled the anthology with particular enchantment besides passing judgments on flowers.More significantly,it showed the talent and outstanding technique of poets in Lingnan and reflected the festival atmosphere and interest in the custom of enjoying flowers in the Blossom Dyke.