论手风琴基本技巧训练观念与方法的更新

Basic Accordion Skills Training:Concept and Methods Update

在手风琴基本技巧训练中,人们往往过多地注意了狭隘的动作规范,而忽视了演奏者与乐器之间自然和谐的整体关系;演奏手型、风箱轨迹、触键方法与手腕动作方式等应与人们自然、本能的方式相同或相近,而不应完全人为规定;演奏技巧的掌握不是更多地使用自己的肌肉和外部器官,而是操作方式最大程度的优化、简化与节约;大胆运用黑键入门、整体识调、早期移调,通过指法规律学习音阶,可以突破传统学习中的认知误区和刻板程式,更快、更容易地认识键盘结构与调式结构,更科学和更有创造性地进行学习与教学。

In the basic training of accordion playing, the strict standard of movement has been paid too much attention, while harmony between the player and the instrment is overlooked. The Shape of hands, the path of the bellows, the way to touch the buttons or keys, and the movement of wrist should all be the same or similar to their natural and instinctive form, rather than to be formulated by rigid standards. The mastery of skills should not base on over-functioning of muscles or external organs, but should be achieved by minimizing, simplifying and optimizing the movements. Certain new methods of teaching are proposed, including： to teach the black keys first, to understand the tones as a whole, to learn transposition in the early stage and the scales through finger patterns, which help break through the mistaken ideas and fommlas in the traditional accordion teaching and learning, and learn the structure of keyboard and tones faster and easier, thus to conduct teaching and learning in a more scientific and creative way.