1Guy Debord, Society of the Spectacle, Canberra: Hobgoblin Press, 2002, p. 1.
2Jean Baudrillard , Transparency of Evil, London : Verso, 1993, pp. 14- 19.
3Jean Baudrillard , Symbolic Exchange and Death, London: Sage Publications, 1993, pp. 70 -76.
4Guy Debord, Society of the Spectacle, Canberra: Hobgoblin Press, 2002, p. 2.
5Liu Yuedi, "Chinese Contemporary Art: From De - Chineseness to Re - Chineseness" ,in International Yearbook of Aesthetics, Volume 13, 2009, pp. 54-55.
6Allen Carlson, "Appreciation and Natural Environment", in The Journal of Aesthetics and Art Criticism, Vol. 37, No. 3, (1979), p. 268.
7陆川.《(阿凡达)观影杂感》,http://blog.sina.com.cn/piggy..
8Philip Rosen ed. , Narrative, Apparatus, Ideology: A Film Theory Reader, New York: Columbia University Press, 1975, pp. 299 -318.
