摘要
安德瑞斯·修尔不知疲倦地在全世界飞来飞去,给观众们送去他心目中的文艺复兴晚期的宫廷恋歌。尽管历史已经翻过了好几个世纪,但光芒的余辉却依旧耀眼,因为那个年代的美妙诗歌和雅致音乐最好的载体就是假声男高音(counter-tenor)和琉特琴。安德瑞斯-修尔风靡全球的唱片和不知疲倦的巡演已经成为一个传奇。
OUTLINE /Andreas Scholl flies tirelessly all over the world to present late Renaissance Minnesang to the audience.After his debut at the NCPA on March 5,Beijing can be added to the countertenor's ports of call.While the NCPA's Concert Hall is too large for such types of performances,Scholl's recital was still received by the audience enthusiastically.
出处
《歌剧》
2010年第4期12-13,共2页
Opera