人生的艺术化:“鱼相与忘于江湖”——朱光潜与庄子美学精神

Life Artistry:Fish Forgetting each other in Rivers or Lakes——Zhu Guangqian and Chuang-tzu's Aesthetic Spirit

朱光潜"人生的艺术化"的观点受到研究者的重视,原因即在于这是他"自己"的理论。"人生的艺术化"表面看来仅是一种人生态度,但它却牵系着朱光潜的美学探索,潜含着一种美学精神,中国道家特别是庄子思想构成了这种精神的诗性底蕴。朱光潜常以庄子"鱼相与忘于江湖"的说法来描述艺术化的人生境界,这种艺术境界又可以庄子"诱然皆生而不知所以生,同焉皆得而不知所以得"、"无我"、"化"的意念进行具体的阐明。

The reason why investigators attach importance to Zhu Guangqian＇s concept of life artistry is that it＇s his own theory.Life artistry is seemingly no more than a kind of life attitude,but it played an important role in Zhu Guangqian＇s aesthetic investigation and it contained a kind of aesthetic spirit which based on Taoists especially Chuang-tzu＇s poetic thought.Zhu Guangqian usually described art-like life bourn as Chuang-tzu＇s parlance of fish fogetting each other in rivers or lakes,and this kind of bourn can be illuminated concretely by Chuang-tzu＇s words as ＂the world spontaneously guides all life,and there＇s no sense of how life works itself out;everything that＇s achieved,and there＇s no sense of how it＇s been achieved＂,＂unself＂,＂changing＂.