摘要
小说《红岩》的创作,典型地体现了建国后五六十年代文学创作中"集体化写作"特征,同时也真切地折射出有关革命历史的叙述在这一历史时期的"本质化"达成。追溯《红岩》的生成过程,比较《红岩》写作过程中所形成的三个文本之间的叙事差异,一定程度上也是对中国当代文学在某一历史时期文学创作机制与意识形态生产方式的一种考察。
The composing of "Hong Yan" typically embodies "collective writing" which was the characteristic of literature creating in 50s and 60s after the founding of the People's Republic of China and clearly refracts the essentialized achievements relating to revolution history in that historical period.Tracing the composing process of "Hong Yan",as well as comparing the narrative differences of the three versions which formed in this process is,to certain extent,a kind of an exploration into the literature composing mechanism and means of ideological production in some historic period of Chinese contemporary literature.
出处
《浙江工商大学学报》
2010年第2期38-41,共4页
Journal of Zhejiang Gongshang University
基金
国家社会科学基金(06BZW065)
关键词
《红岩》
写作方式
历史叙事
故事类型
文学史内涵
"Hong Yan"
writing style
the historical narrative
story types
literary enlightenment