否定性艺术观与艺术超越的自我否定——从阿多诺对大众文化的批判看当下文化现状

The Negative View of the Arts and the Self-negation of Art Transcendce——Culture Reflection on Adorno

作为法兰克福学派的代表人物之一,阿多诺的否定性艺术观对西方资本主义文化工业以及技术理性进行了成功批判,但其以否定作为逻辑起点却使自己陷入否定的循环和言说的悖论中,导致了审美主体的缺失和艺术空间的自我封闭,并最终走向了艺术超越的自我否定,艺术仍无法摆脱被大量复制的命运,这也是当下大众文化的现状。

As one of representatives of the Frankfurt school,Adorn＇s negative view on art criticizes western capitalism and culture industry and technological rationality.But the use of negation as a logical starting point causes the negative cycle and the paradox of speech,and results in the lack of aesthetic subject and the self isolation of art space.It ultimately moves towards the self-denial of art transcendence.The arts are still unable to extricate themselves from the fate of a large number of replications.This is also present status of popular culture.