摘要
罗伯-格里耶的新小说创作观念深受胡塞尔现象学的影响。胡塞尔否认在事物的现象下面存在本质,罗伯-格里耶认为在小说中不要制造一个意义世界。他反对传统小说的深度创作模式,并在自己的新小说中坚持着无意义的追求。
Robbe-Grillet' s creative conception in antiroman was deeply influenced by Husserl' s phenomenology. Husserl negated that there existed essence below the phenomenon. Robbe-Grillet was not approval to create a meaningful world in novel, neither the depth creative mode of traditional novel, yet persisted the insignificance in his own antiroman.
出处
《宜宾学院学报》
2010年第2期16-19,共4页
Journal of Yibin University