论《文心雕龙》的和谐文论观

On Harmonious Literary Theory in Wenxin Diaolong

《文心雕龙》蕴藏着丰富的和谐思想。这些和谐思想大致包括九个方面,即作者身心的和谐、文章写作动机和情感的和谐、文章意蕴主旨与文辞的和谐、文章结构的和谐、文章语言的和谐、文章风格的和谐、文章修辞手法的和谐、文章文采的和谐、文字音韵的和谐。这些和谐思想体现了刘勰本人的和谐追求,而这种和谐追求又可以明显看出《周易》的"太和"境界和"尚中"思想的深刻濡染。《文心雕龙》的和谐文论观,具有鲜明的美学意蕴,它既是对前人诸多和谐论述的继承,又对后世产生不小的影响。这些有关和谐的理论与实践,集中反映了中国古人具有强烈民族特色的价值取向与审美心理。

Wenxin Diaolong contains abundant thoughts of harmony. The harmony mainly encompasses nine aspects ： harmony of writer＇ s body and soul, of writing motivation and emotion, of theme and rhetoric, of structures, of language, of styles, of rhetoric de- vices, of literary grace, and of rhyme. These harmonious thoughts manifested Liu Xie＇ s pursuit of harmony, which was greatly influ- enced by the state of ＂TAI HE＂ and the ideology of ＂SHANG ZHONG＂ in The Book of Change. The harmonious concept in Wenxin Diaolong also has aesthetic implication. It succeeded predecessors＇ statements on harmony, exerting great influence over the later gen- erations. These harmony theories and their practice reflect the value orientation of national features and aesthetic psychology in ancient Chinese.