摘要
2003年诺贝尔文学奖得主约翰.马克斯维尔.库切的代表作《昏暗的国度》以后殖民主义为语境进行边缘化建构,构成文本主体的地域、教义、时空被纷纷边缘化。在边缘与中心的倒错中等级被颠覆,规约被打破,主流权力话语在荒诞不经的叙事中被消解。
Under the context of post-colonialism,the masterpiece by J.M.Coetzee,winner of Nobel Prize for Literature in 2003,Dusklands constructs the framework in which place,doctrine and time and space are marginalized.In the reverse of margin and center,hierarchy,convention and predominant power discourse get dissolved in absurd narrations.
