日语中“风流”一词的语义溯源——以佐藤春夫的《“风流”论》为中心

Analysis of Satouharuo's Romantic Theory——The Estheticism of the Life Decadence

日本近代文人佐藤春夫随着人生阅历、艺术体验的加深,他对个体生命的颓废性越挖越深,将目光转向日本传统美学"风流"一词的内涵阐释。他站在日本古典文学的高度,在东方人特有的美学观照下,将唯美的趣味与颓废的情绪结合起来,创造性地总结出日本人的"风流"观。本文试图就佐藤春夫的《"风流"论》进行阐述,并结合他的论述具体解析"风流"一词在日本文学、美学传统中的语义流变。

Satouharuo＇s literature has always been intoning the emptiness and life exhaustion repeatedly, and depicting spiritual disease of modern people thoroughly. With the deepening of life and art experience, he digs more into the decadence of the individual life which could be traced back to the ＂fugacity view＂ in the Japanese traditional esthetics. In his later years, he stands on the height of classic literature in Japan, putting aestheticism and decadence together under the guidance of aesthetics, which is unique in easterners. He affirms and carries forward the beauty of fugacity and grief then comes to make a creative conclusion of the way of transforming from depersonalization into miracle Romantic theory. This text tries to expound the ＂Romantic theory＂ in view of SATOUHARUO, putting his literature theories into practice with the guidance of the theory of aestheticism combining with his later works.