摘要
通过深入考察王朔笔下的女性形象,我们不难发现其小说内部蕴涵着丰富的神话原型,由此可见,一向以反传统的文化姿态出现的王朔不可能割断传统,在王朔的潜意识深处还遗留着男权的思想,残留着女色祸水的观点,因此可以说王朔的小说是在本土化的情境之中向旧传统的皈依。他的陈旧腐朽的意识以及小说所表达出来的创作视野表现出了他的文化精神的滞后性。
Through the analysis of the female images in the works of Wang Shuo, we can see that many myth-archetypes have been embodied in them. Therefore, even if he has been impressing upon us as an avantgarde writer, Wang Shuo can’t break off the relations with the tradition. Wang Shuo still carries with him in subconsciousness a sense of "Male Supremacy" and the notion that women are only trouble-making beings; therefore we may safely conclude that the works of Wang Shuo are a refuge to old traditions in a localization context. His old and decadent awareness and his writing viewpoints expressed through his novels have unveiled the backwardness of his cultural spirit.
出处
《南阳师范学院学报》
CAS
2010年第2期86-89,共4页
Journal of Nanyang Normal University
关键词
女性形象
神话原型
男权意识
female images
myth-archetype
male supremacy